Istoria Coreei

Puteti gasi pe net filmul Jingbirok, care povesteste razboiul Imjin.
E o ecranizarea dupa a carte scrisa chiar de un ministru care a trait evenimentele, unul Ryu Seong Ryeong.
Filmul pacatuieste ca toate filmele coreene prin faptul ca nu prea are scene de anvergura, din cauza bugetului limitat probabil.
Dar e un serial interesant.
http://dramayou.com/...ode-13-eng-sub/

Edited by searcher-star, 30 July 2015 - 15:37.

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Ryu Seong Ryeong asta a fost un foarte mare intelectual, cartea lui e considerata monument national de una singura.
Adevarul e ca e foarte precis, zice si cate boluri de orez s-au mancat in fiecare campanie.
Vad ca nu merg subtitrarile. Pe youtube merg.

Edited by searcher-star, 03 August 2015 - 12:26.

Citeam undeva datele primelor recensaminte moderne din China, Koreea si Japonia.
Interesant ca chinezii au avut mereu un dezechilibru femei-barbati, din cauza infanticidului feminin masiv.
Dar atare dezechilibru, desi mai mic, exista si la japonezi, desi la ei nu se cunoaste un asemenea infanticid.
In schimb la koreeni nu pare sa fi fost un dezechilibru, sexele fiind cele mai echilibrate, desi nu te-ai fi asteptat, ei fiind cei mai confucianisti dintre toti si deci cei mai pasibili de a favoriza baietii in supravietuirea copiilor.
Totusi, se pare ca si-au iubit fetitele cel mai mult, dintre astia.

Edited by searcher-star, 12 August 2015 - 16:07.

http://thetalkingcup...part-2/  cate ceva despre Joseon, mai ales din perspectiva femeilor

Sa ne cultivam nitel, cu delicate melancolii feminine:

Bedroom Chagrin
by Heo Chohui (or Heo Nanseolheon)

The day before yesterday I was young,
But, alas, I already have grown old.
I think of the pleasures of my youth,
But though I speak of them, there is no hope.
I am old and the more I would call forth
Sad words, I am strangled by them.
Father begot me and mother brought me up,
[And many were] the pains they took to nurture me.
Though they didn’t hope for marriage to a prince or a marquis,
Their wish was that when I was reared
A gentleman would want to marry me.
It was the work of karma:
With chance as my matchmaker,
A frivolous knight-errant from the capital
[Became mine] as though in a dream.
I was cautious then,
Walking on thin ice.
When I was fifteen, sixteen,
The natural beauty in me came out
And with this face, this demeanor,
I made a vow [that my faithfulness was] to last a hundred years.
In a flash the years have vanished.
The gods displayed their jealousy:
Spring wind and autumn moon
Have flown [with the speed] of a hemp-loom shuttle.
My snowy complexion, my flower-like counternance:
Where have they gone?
My features have grown ugly;
I look at my face,
But who would love me [now]?
I am filled with shame,
But whom shall I impugn?
The new girls in the brothel garden,
[Waiting in knots of] three and five,
[Can they serve him] better than I?
When flowers bloomed and day was done,
He set out with no fixed destination.
With his white horse and his whip of gold,
Where would he rest?
I know not whether he is far or near:
Will I, alas, e'er hear news [of him again]?
Though our karma-relationship is severed,
I wonder if he does not think of me?
Not being able to see his face,
Would that I [could as well] not know this yearning.
Long, long are the hours of the day,
And lonely the thirty days [of the month].
The plum blossoms which burgeon by my window of jade,
How many times have they bloomed?
When winter nights are icy cold,
The heavy snow falls thick;
When summer days are interminably long,
Why does the dreary rain beat down?
And [even] the three [months] of spring
With their pleasant prospect of flowers and willows,
Are not without their grief.
When the autumn moon enters the room,
And crickets cry on my couch,
A long sigh and [salty] tears
Unavoidably remind me of my plight.
Perchance I would end this wretched life,
But that, too, is difficult!
Changing my mind, I console myself,
For how could I do a thing like that?
igniting the blue [flame on my] lamp [wick],
I pluck my green lute,
And [singing] my erotic song,
I mix my pain [with musical accompaniment].
The sound of the bamboo echoes
The night rain on the Hsiao and the Hsiang.
Soe other crane comes crying
After a thousand years to Huapiao [pillar].
The skill with which my practiced hand does pluck [the strings]
Goes well with my voice.
But I sit alone [behind] curtains [embroidered] with hibiscus [flowers]:
Who is there to hear [my plaint]?
Again and again my [very] entrails [sting as my agony] is piece by piece let loose.
If I could but sleep,
And perchance see him in my dreams!
The leaves rustling in the wind,
The insects crying in the grass,
Why out of malice
Do they wake me from my sleep?
The Herdboy and the Weaving Girl in heaven,
Though difficult to cross the Milk Way,
Once a year on the seventh night of the seventh moon
Are never late [for their tryst];
But since my Lord has gone away,
What magic potion keeps him hidden from me?
Of his coming and going,
There is no news.
Leaning on the balustrade,
I gaze in the direction he went.
The dew upon the grass is strewn;
And when the clouds at dusk scatter on their way,
The voices of the birds are sadder still
From the bamboo copse so green.
In this world, the sorrow-worn
Are beyond my counting.
Alas, among pretty faces that have known cruel fate,
Have there been others like me?
Seemingly because of you, my Lord,
I can’t say whether to go on living or nay.

Biata a dus o viata trista, i-au murit copiii, sotul a neglijat-o, a murit tanara... dar daca mai traia 3 ani prindea razboiul Imjin. Sotul ei a murit in el.
Fratele ei a scris cunoscutul roman despre haiducul Hong Gil Dong.
El a facut-o cunoscuta lumii si posteritatii.

Edited by tarmasundar, 28 October 2015 - 11:23.

[ https://www.youtube-nocookie.com/embed/enUWpN-aoUE?feature=oembed - Pentru incarcare in pagina (embed) Click aici ] muzica de curte din Joseon

Prelegere despre evolutia fiscalitatii si statului in timpul Joseon
http://www.helsinki....pers3/Chang.pdf

Deci, daca rotunjim ce se sub-estima, bugetul Joseon pe la 1700 era in jur de 400-450.000 saci orez adica 5.5-6 milioane Taeli, adica la 5.5 g argint pe 1 tael asta ar echivala cam 700.000 Ducati adica vreo 100 milioane dolari actuali.
Cheltuielile familiei regale erau de aprox 73.000 saci de orez adica vreo 365.000 taeli adica vreo 6 milioane dolari.
Observam ca la o tara de aprox. 12 milioane suflete cu un PIB de vreo 9 miliarde $, e putin. Cam 1%, max 2%. Sa comparam cei 700.000 ducati ai lor cu cei 1.5 milioane ducati ai bugetului... Venetiei, care n-a avut veci peste 2.2 milioane suflete.
Si totusi lumea se plangea de caracterul greu suportabil al taxelor.
De unde rezulta ca, la fel ca la chinezi, mai mult costurile aditionale rezultate din coruptie si excese constituiau de departe grosul acestei poveri.
De pilda trimiterea oamenilor dintr-o zona in armata sau la construit diverse in mijlocul sezonului agricol debilita masiv regiunea respectiva.
La fel solicitarea ca regiunea x sa trimita drept taxa o marfa anume pe care n-o avea, o obliga s-o cumpere aiurea la supra-pret sau imprumutandu-se la dobanda mare.

Edited by tarmasundar, 14 December 2015 - 13:00.

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[ https://www.youtube-nocookie.com/embed/iu78d6O4Jwc?feature=oembed - Pentru incarcare in pagina (embed) Click aici ], cantecul national al Koreei cum ar veni
cantareata a jucat rolul imparatesei Wu Zetian in serialul despre viata lui Dae Joyoung, fondatorul Balhae

http://dramanice.to/...ngbirok--detail
Jingbirok, filmul despre razboiul Imjin.
Episoadele 29-33 sunt interesante in masura in care insista pe relatiile fortate intre chinezi si koreeni.
Chinezii is dispusi sa ajute Koreea, dar cu conditia ca koreenii sa fie intru totul sub ascultarea lor, ca buni vasali. La fel, isi dozau efortul ca sa nu piarda multi soldati, chiar daca koreenilor nu le convenea cum se desfasurau lucrurile.
Chinezii au fost destul de ok la nivel de comandament dar foarte enervanti prin pretentia lor de umilire si supunere a autoritatilor koreene.
Regele koreean, slab fiind, s-a conformat bucuros spre exasperarea ministrilor.
Interesant cum in filmele koreene, in general regii mai vechi is vazuti cam rai iar birocratii mai ok, in schimb in filmele cu actiune mai recenta regale e bun si e victim birocratilor hulpavi. Interesant. Bine, partial cam asa a fost, puterea regala a scazut in timp in dauna birocratiei, a fost un soi de shogunat fara shogun, dar oricum e interesant.

Pare-mi-se in episodul 30, koreenii fac o manevra fara aprobarea chinezilor, care le iasa (spre supararea chinezilor care ar fi vrut s-o dea in bara sa se invete minte, chiar daca asta ar fi insemnat 10.000 morti).
Dar chinezii tot is nervosi si cer demisia premierului.
Atunci generalul koreean scrie un raport in care spune ca... el de fapt mersese sa-l intalneasca pe generalul chinez sa se impartaseasca din intelepciunea lu, si ca din intamplare a dat pe drum peste japonezi! Si ca victoria se datoreaza aplicarii sfaturilor intelepte chinezesti!
Chinezii zambesc manzeste si-o lasa balta.

Edited by tarmasundar, 24 February 2016 - 11:33.

Postarile mai importante de pe acest topic
41-45,47,55,56,59-64,70,71,80,81

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Descendentii regelui Taejong comemoreaza 585 ani de la moartea lui.
http://www.newworlde...for_Taejong.JPG
Mi s-a parut interesant.
Si mi-a provocat o dorinta sa ma dau cu capul de pereti...
Noi cand dracu' am vedea descendentii lu' Stefan de pilda facand asta?
Cred ca nici nu se mai cunoaste vreunul, daramite sute...

Edited by tarmasundar, 25 March 2016 - 17:48.

Women of the Joseon Dynasty (Part 1)
June 15, 2014 by muchadoboutlove  | 41 Comments
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We are familiar with the men of the Joseon Dynasty, especially the kings and the famous figures since their names were recorded in the Annals of Joseon Dynasty, but for the women during that era, not many facts were known about them. I think it’s good to introduce some facts about the women of Joseon Dynasty, especially their ranks and their roles in the society. The women lived according to their spouses’ ranks and in some circumstances, their social statuses also depended on their line of job, such as court ladies and entertainers. I have written two posts; one about the general settings of Social Strata in Joseon Dynasty and another one about Royal Titles and Styles in Joseon Dynasty. These two posts might give you a good introduction before you continue to read this post. But there’s no pressure, if you want to know about the women first, then let’s get dizzy together with this one~

I have decided to split the original post into two parts since it turned out to be quite long. This part focuses on the  women of the royal family and the aristocrats.
Women’s life during Joseon Dynasty took a different turn due to the country adapting neo-Confucianism, which changed the nation into a patriarchal society that focused on the men. In the history of Korea, women were once given the opportunity to be the queens regent who reigned in their own names, for instance Queen Seondeok of Silla. Although the women of Joseon Dynasty lived in the restricted patriarchal system, some of them managed to make their names known to the whole nation and they continued to be remembered until today. Although the women were not given the opportunity to hold government posts and they were not allowed to interact freely with men outside their family circle, they wielded power in their own rights and showed their contributions in building the nation.
Royal Family
Queen and Queens Dowager

Royal family was at the top hierarchy of the Joseon people, with the King as the ruler of the nation. With her husband as the country’s king, a queen consort or wangbi (왕비, 王妃) was the Mother of the Nation, who was the most important woman in the royal household as well as the whole nation. A queen was highly regarded as a virtuous woman and a role model for the women below her. Hence, the journey to become a queen was not short and easy.
A queen gained the status through the appointment of her spouse as the king. Most of the time, the queen was first married to the heir of the throne as Royal Princess Successor Consort or wangsejabin (왕세자빈, 王世子嬪). The selection process was rigid, beginning from the marriage prohibition for the whole country in order for suitable candidates to be picked among the young girls of suitable age. The crown princess-to-be was usually from the yangban or noble class and the candidates would undergo a screening process before advancing to three stages of selection process. Some of the basic rules to be qualified as the candidates were:
◾the candidate could not be a female member of the Yi clan (meaning that the candidate must not have the same surname as the royal family which was Yi (이, 李), or a close relative of the crown prince, or a person within the eight cousins of the crown prince;
◾both of the candidates’ parents must be alive;
◾the candidate must have a clean family background (not associated with any case of misconduct e.g. treason);
◾the candidate possessed the virtues that fitted the decorum of a crown princess and a future queen;
◾the candidate had a pleasant appearance.
The final stage would have three candidates remained after the selection process and the crown prince’s consort would be picked through this final stage. The consort would then undergo a series of training about the etiquette of the palace and education related to her future roles as the crown princess and the queen before getting married to the crown prince.
A queen was expected to bear the legitimate heir to the throne but she won’t simply lose her seat if she happened to be unable to do so. Concubines would be selected and the queen was given the authority to become a mother to the concubines’ children. In certain cases, the queen would adopt the sons of concubines as her own. If the son ascended the throne later after his father the King died, the queen who was still alive would be given the title Queen Dowager or daebi  (대비, 大妃). The queen dowager would be given the responsibility to become the regent in the king’s place if the king happened to be too young to rule on his own. The queens dowager continued to live in the palace even after their spouses’ deaths and they wielded power in the court since they were the respected by the court as the elders of the royal family. In certain cases, the families of the queen and queens dowager were powerful and became important political figures because of their connection to the most important women in the country. For the former queens consort who were more senior than the queen dowager, they would be bestowed the title Royal Queen Dowager or wangdaebi (왕대비, 王大妃) and Grand Royal Queen Dowager or daewangdaebi (대왕대비, 大王大妃), with the latter being more senior than the former.

The queen was responsible for the women’s affairs in the palace. A body, known as naeoemyeongbu (내외명부, 內外命婦), was directly under the queen’s supervision, aiming to control the palace women’s affairs as well as organizing ceremonies for the female members of the royal family. The queen held supreme authority of naeoemyeongbu that even the king couldn’t interfere with the matters regarding the palace women, except for extreme cases such as treason. The body was divided into two separate divisions, which were naemyeongbu (내명부, 內命婦) or the Bureau of the Inner Court Ladies, and oemyeongbu (외명부, 外命婦). Naemyeongbu consisted of the royal concubines, crown princess, the crown prince’s concubines, and the court ladies while oemyeongbu was made of the princesses, the queens dowager, the children of the crown prince, the wives of other royalties, and the wives of the government officials.
Naemyeongbu
The queen was the supervisor for naemyeongbu, overseeing the division that consisted of the women who lived most of their lives  inside the palace. She was no doubt in the top position among the wives of the king and supervised the royal concubines as well as the other female members of the royal family.

Royal Concubines
The royal concubines or hugung (후 궁, 後宮) were the women selected or favoured by the king to become his concubines. The selection of these concubines took place when the queen couldn’t bear a son to become the heir to the throne and there were also concubines that were originally the court ladies who received the grace from the king, giving them the chance to be part of the king’s harem. The ranks of the royal concubines were as follows:
◾1st senior rank – Bin (빈, 嬪)
◾1st junior rank – Kwi-in (귀인, 貴人)
◾2nd senior rank – So-ui (소의, 昭儀)
◾2nd junior rank – Suk-ui (숙의, 淑儀) ~ the first rank for a selected concubine
◾3rd senior rank – So-yong (소용, 昭容)
◾3rd junior rank – Suk-yong (숙용, 淑容)
◾4th senior rank – So-won (소원, 昭媛)
◾4th junior rank – Suk-won (숙원, 淑媛) ~ the first rank for a favoured concubine who was once a court lady
A concubine would get the chance to rise through the ranks by three means: 1) Becoming the object of the king’s affection; 2)Bearing a son for the king; and 3) Fostering a good relationship with the Queen through the years of staying inside the palace for getting a recommendation to be elevated to a higher rank. Bearing a son for the king would be the fastest route to be elevated and if the son was picked to be the crown prince, the birth mother would be appointed to the highest rank for the royal concubine, which was bin. The bin and kwi-in had the authority to make decisions alongside the queen, making them the closest advisers to the queen. The concubines with the rank kwi-in had sons that weren’t the heir to the throne, similar to so-ui and suk-ui, but had higher position than the other two. So-yong and suk-yong were responsible for the ancestral rites’ preparation and also reception of the guests. So-won and suk-won managed the weaving work related to the fabrics such as linen.

Crown Princess and Crown Prince’s Concubines
Crown princess was the most superior among wives of the crown prince but her position is lower than the queen in naemyeongbu. She was the supervisor for the crown prince’s palace, especially the crown prince’s concubines and the court ladies working there. The ranks of the crown prince’s concubines were lower than the royal concubines of the king. The ranks were:
◾2nd junior rank –Yangje (양제, 良娣)
◾3rd junior rank – Yangwon (양원, 良媛)
◾4th junior rank – Seunghwi (승휘, 承徽)
◾5th junior rank – Sohun (소훈, 昭訓)
Court Ladies
Court ladies or gungnyeo (궁녀,宮女) were the working women inside the palace. The word gungnyeo literally means ‘palace women’ and it was derived from the term gungjung yeogwan (궁중 여관) which gives the literal meaning ‘lady officer of the royal court’. Gungnyeo was used to generally describe all types of women who were working inside the palace, serving the royalties living in the royal quarters. Gungnyeo consisted of the high ranking court ladies as well as the ordinary court ladies without any rank who did most of the labour work known as nain (나인) and the other types of working ladies who were not included in the ranks such as bija (비자), musuri (무수리), gaksimi (각심이), bangja (방자), and uinyeo (의녀).
Generally, the court ladies were chosen among the young girls of the commoners or sangmin and the private female slaves of the governing class or sadaebu. However, the commoners were against this practice of sending their daughters to work in the palace at an early age and chose to marry off the daughters at a very young age to avoid being picked as the court ladies. Hence, the candidates for the court ladies were later picked among the private slaves as well as the government slaves, together with the daughters of the aristocrats’ concubines who were once courtesans or slaves. The appointment  process was different for court ladies associated with the inner quarters for the king and queen since they were closely working with the royalties and for this reason, the nain for the inner quarters were recruited by the high ranked court ladies themselves through recommendations and connections.
The nain for the departments with specific skills such as sewing and embroidery were from the middle class or jungin while the ordinary nain were mostly commoners. The lower class gungnyeo came from the cheonmin class or the vulgar commoners. The age of the trainee court ladies were in between 4 to 6 years old when they first entered the palace but there were some trainees who entered when they were older, with the maximum age was 13 years old. These young trainees, who were also called saenggaksi (생각시), received proper education to become a gungnyeo, for instance education on the court language and palace etiquette. They would be elevated from the saenggaksi level to a nain when they passed a coming of age ceremony and later, when they had served the court for more than 15 years, they would eventually be promoted to higher ranks, with the top rank that could be achieved by a court lady being sanggung.
The nain were divided into seven main departments inside the palace: jimil (지밀), chimbang (침방), subang (수방), sesugan (세수간), saenggwabang (생과방), sojubang (소주방), and sedapbang (세답방). Jimil nain were the closest servants who waited and served the king and the queen, plus protecting them from any harm. These ladies entered the palace as early as the age of four in order for them to be trained properly. Chimbang nain were the tailors or seamstresses who made royal clothes and accessories for the royal families while subang nain were the ladies responsible for embroidery, be it for the royal clothing or the palace decorations. Sesugan was the department attending the king and queen’s bath, cleaning, and other necessities such as toilets and the place to spit. Saenggwabang was where preparation of the desserts and snacks took place, including fresh fruits, cooked fruits, baked goods, tea, fruit punches and porridge. Sojubang nain were further divided into two smaller departments: inner sojubang or naesojubang for daily meal preparations and outer sojubang or oesojubang for preparing food for banquets with the help of  daeryeong suksu, a special chef for banquets from outside the palace.

Three other departments for the nain were twiseongan (퇴선간), bogicheo (복이처), and deungchokbang (등촉방). Twiseongan nain specialized in food arrangement while bochigeo was the department responsible for making fires and maintaining the heat for the quarters. Deungchokbang was for lighting candles and lanterns in the palace. The court ladies working as jimil nain were more influential compared to other nain and chimbang nain, together with subang nain, were the next in line in terms of power.
The ranks attainable for the court ladies were:
5th senior rank – Sanggung (상궁, 尙宮) & Sangui (상의, 尙儀)
5th junior rank – Sangbok (상복, 尙服) & Sangsik (상식, 尙食)
6th senior rank – Sangchim (상침, 尙寢) & Sanggong (상공, 尙功)
6th junior rank – Sanjeong (상정, 尙正) & Sanggi (상기, 尙記)
7th senior rank – Jeonbin (전빈, 典賓) , Jeonui (전의, 典衣) & Jeonseon (전선, 典膳)
7th junior rank – Jeonseol (전설, 典設), Jeonje (전제, 典製) & Jeoneon (전언, 典言)
8th senior rank – Jeonchan (전찬, 典贊), Jeonsik (전식, 典飾) & Jeonyak (전약, 典藥)
8th junior rank – Jeondeung (전등, 典燈), Jeonchae (전채, 典采) & Jeonjeong (전정, 典正)
9th senior rank – Jugung (주궁, 奏宮), Jusang (주상, 奏商) & Jugak (주각, 奏角)
9th senior rank – Jubyeonjing (주변징, 奏變徵), Jujing (주징, 奏徵), Juwoo (주우,奏羽) & Jubyeongung (주변궁, 奏變宮)
Sanggung was the highest rank for the court ladies and there were two conditions for a court lady to be appointed as a sanggung: one was through advancement after years of serving in the palace and the other one through special appointment by the queen when she slept with the king. The special sanggung had a higher status compared to the ordinary sanggung since she was the woman favoured by the king, but she’s not yet a royal concubine. The ordinary sanggung acted as supervisors to the other court ladies but they were directly held the responsibility of sanggi and jeoneon.
There were several types of sanggung according to their tasks and their influence depended greatly on who they were serving at that time, for instance the sanggung serving the king was more powerful than those serving the crown prince. The types are:
Jejo sanggung (제조상궁): Also known as keunbang sanggung (큰방상궁). They were the top sanggung who supervise the rest of the court ladies excluding the royal concubines and seungeun sanggung. They were powerful among the court ladies since they were serving directly under the Queen and the Queen Dowager.
Bujejo sanggung (부제조상궁): Also known as araetgo sanggung (아랫고상궁), these sanggung were responsible for managing the properties in the safe kept at the inner quarters, including the King’s precious jewels and bolts of silk.
Jimil sanggung (지밀상궁): Also known as daeryeong sanggung (대령상궁). They were responsible for attending to the king, the queen, the queen dowager, and the royal concubines and received direct orders from the person they served as they were regarded as their lords’ hands and feet.
Bomo sanggung (보모상궁): They could be regarded as royal nannies since they took care of the princes and princesses. They were addressed as aji (아지, 阿之) by the young princes and princesses. If the prince she took care happened to ascend the throne later, a bomo sanngung could be granted the title bongbo buin (봉보부인, 奉保夫人), which was of the first junior rank in oemyeongbu, right below the princesses.
Sinyeo sanggung (시녀상궁): The sanggung who acted as assistants to jimil sanggung.
Seungeun sanggung (승은상궁): The sanggung who were favoured by the king. They were originally the ordinary court ladies or nain, either with rank or without rank, who managed to get the king’s attention and shared the bed with him. Unlike the ordinary sanggung who were older, seungeun sanggung were younger and they got the special appointment of becoming a sanggung because of their relationship with the king. They were given the chance to wear special overcoat or dangui (당의) to differentiate them from the ordinary sanggung and they were excluded from the duties of the ordinary sanggung; however, seungeun sanggung might suffer with harassment from other sanggung, especially when the king stopped visiting her. If they were lucky, they would be able to conceive the king’s children and raised to the rank sukwon among the royal concubines.
Gamchal sanggung (감찰상궁): The sanggung who enforced the rules for the court ladies. Acting as the inspector sanggung, they conducted the punishments for those who broke the rules as well as giving rewards for outstanding gungnyeo. They were feared by the others since they held the power to punish the court ladies.
Sangui‘s job scope was related to etiquette and daily procedures of the royalties’ lives, working mostly in the jimil department. They were also responsible for jeonbin and jeonchan. Sangbok were the court ladies responsible for the embroidery of the royal clothing in subang and supervising jeonui and jeonsik. Sangsik were those who oversaw the preparation of the food and side dishes and supervise both saenggwabang and sojubang while being responsible for saseon and jeonyak. Sangchim were the court ladies managing the king’s clothing and eating while supervising saseol and jeondeung. Sanggong were like the section heads for the lower class working women, and oversaw the work of saje and jeonchae. Sangjeong worked to maintain the discipline of the gungnyeo under the gamchal sanggung through enforcement of code of conduct and punished those who break the rules while Sanggi was the court ladies responsible for maintaining the documents, records, and ledgers in the palace.
Jeonbin acted as the managers for serving ladies entertaining the retainers and/or the king’s guests in national ceremonies such as award giving ceremonies by the kings or royal banquets conducted by the royalties.They were also in charge of the banquets.  Jeonui were the ladies associated with the preparation and maintenance of royal clothing and the hair accessories, including the head gears for special occasions. Jeonseon were the people who prepared the food and side dishes while jeonseol did the cleaning and appropriate preparation for special ocassions such as setting the tents. Jeonje were the nain involved with the production of royal clothing in the chimbang, working as seamstresses or tailors. Jeoneon were responsible for spreading the information to the citizens and relaying messages from outside the palace to the king. Jeonchan worked under jeonbin as the serving ladies in national ceremonies. They were like attendants and waitresses, entertaining the guest who were present during the ceremonies. Jeonsik were the court ladies who attended the royalties with their hair washing, combing, and make ups.
Jeonyak worked closely with the royal infirmary or naeuiwon (내의원), including thepreparation of tonics and concoctions according to the prescriptions made by the royal physicians. Jeondeung worked under deungchokbang department, responsible for making lights, lanterns, and candles. Jeonchae were the ladies who weaved the silk and linen fabrics for palace use and involved with the dyeing work of the fabrics. Jeonjeong worked as the helpers for the court officers, such as for relaying messages and sending documents between them. The court ladies of the 9th ranks – jugung, jusang, jugak, jubyeonjing, jujing, juwoo, jubyeongung – were all associated with the music in the palace. They were also the musicians responsible for performances in national festivals and ceremonies as well as private parties organized by the royalties.
The court ladies working in Eastern Palace, where the Crown Prince resided, were given separate ranks from the main palace court ladies as follows:
6th junior rank – Sukyu (수규, 守閨) & Suchik (수칙,守則)
7th junior rank – Jangchan (장찬,掌饌) & Jangjeong (장정, 掌正)
8th junior rank – Jangseo (장서,掌書) & Jangbong (장봉,掌縫)
9th junior rank – Jangjang (장장,掌藏), Jangsik (장식(掌食) & Jangui (장의,掌醫)
Sukyu had the authority to enforce discipline among the ladies working in the Eastern Palace, and also responsible for maintaining the documents and records there. Suchik were attached to the Eastern Palace but held less power although they’re of the same rank with sukyu. Jangchan were given the task to supervise the preparation of food and maintaining the monetary account of the Eastern Palace. Jangjeong managed the documents and administer the security of the palace. Jangseo managed the books in the palace, probably working like a librarian who kept track of the books. Jangbong were assigned the do the needlework including sewing and cloth making. Jangjang‘s assignment was  to manage the properties of the palace while jangsik took care of food, firewood, and bucatarie utensils. Jangui would prepare tonics and concoctions for Eastern Palace.
As for other types of working ladies, those who worked as musuri were usually from the lowest class, most of the time coming from slave background. They carried out odd jobs and small errands inside the palace such as drawing water and distributing firewood for the quarters inside the palace. Gaksimi referred to the maidservants who did the chores and worked as private seamstresses, housemaid, or bucatarie maids for the sanggung. They were also known as bija or bangja. Their salaries were paid by the government, unlike another type of helpers known as sonnim (손님).
Sonnim literally means guests and the word was used as a courtesy title to refer to the helpers brought into the palace to work at the royal concubines’ quarters. They were paid by the royal concubines through the concubines’ own expenses since they were most of the time related to the concubines’ family. They didn’t stay inside the palace, thus the term came into usage as they were people from outside, coming into the palace as ‘guests’.
Uinyeo, or medicine women, were mostly associated with the royal infirmary or naeuiwon and the public clinics, hyeminseo (혜민서). They were chosen among the lower class women, mostly public female slaves, to learn and practice simple medicine skills while running errands for the physicians at the clinics, plus acting as midwives. The uinyeo gave simple treatments to the female royalties when the male doctors couldn’t do so due to the restriction of the Confucianism practiced during Joseon Dynasty. Besides equipping themselves with the medical skills, they were also required to be educated in general education, thus they were taught to read various books such as the Thousand Character Classics and also the Confucian books such as Analects of Conficius to promote virtuous character among them as they dealt with the lives of human beings. Hence, uinyeo was actually a profession which allowed one to get the education which was very limited to women at that time. If an uinyeo was lucky, she could even get promoted to commoner’s class when she managed to cure women of the royal family or the prestigious yangban.
There were three types of medicine women: naeui (내의) the active doctors at the royal infirmary, kanbyeongui (간병의) the practical doctors who were studying and giving treatments at the same time, and chohakui (초학의) the new medicine women. The female physicians were also working outside the palace, lending their medicine skills for crime investigation related to women. During Yeonsangun’s reign, these women also served as uigi (의기) or medical entertainers, where they attended the officials’ parties and entertained the guests along with the gisaeng. Acting out the role as both nurse and courtesan, this earned them the nickname yakbang gisaeng (약방 기생), which can be translated as medicine room entertainers.
Oemyeongbu
If naemyeongbu consisted of the women who were the king’s women and the future king’s women, oemyeongbu was the division for other women in the palace that were not the king and the future king’s women. The division was made of the women staying inside the palace such as princesses, the queens dowager and the children of the crown prince and the women staying outside the palace, such as the wives of other royalties and the wives of the government officials.
Among the female relatives of the royal family, princess /gongju (공주, 公主), the daughter of the king with his queen consort, and Princess /ongju (옹주, 翁主), the daughter of the king with his concubine, were at the top among the women in oemyeongbu. They had no rank as they were at the top, same as the queen in naemyeongbu, but the queen was still the supervisor for oemyeongbu.
Hyunbuin, shinbui, hyein, onin, and sonin were the titles given to the royal relatives, either the wives of the relatives or the direct female relatives, but I haven’t found any reliable sources that described their exact relationship with the kings or with the main royal family.
As for the wives of the government officials or munmugwan (문무관), their ranks in oemyeongbu followed the ranks of their husbands. The titles were given collectively to the wives of the officials according to their husbands’ ranks, for instance jeongkyeong buin (정경부인), which was given to the wives of the officials of 1st Senior Rank. There were 18 ranks altogether in the government positions of Joseon Dynasty and the same ranks were applied for the wives’ ranks in oemyeongbu.